So fragmentation rises as a way preventing the world from having a single truth, religion, genre, philosophy, race, or political system. Each of the fragments is a single battle against windmills. Patricia garza-gonzález: The interpretation of nn and vn compounds by Spanish Heritage Speakers This study investigates how heritage language speakers interpret compound words in Spanish. These speakers never completely acquired, or possibly lost, aspects of Spanish as their first language, as English became the dominant language sometime in childhood (Montrul, 2002, 2004, 2005, 2008; Polinsky, 2004, 2007; Silva-corvalán 1994, 2003; Valdés 1995). The study compares Mexican-American heritage speakers that live in Laredo, texas with a spanish dominant control group that lives in Mexico. Two hundred and forty five mexican-Americans university students that speak a border dialect of Spanish participated in this study.
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2014 José palacios: Fragmentos de sombra: Una biografía intelectual de fernando gonzález fifty years after Fernando gonzález s death (1895-1964) his books are still widely read literary circles and his cultural legacy is vibrant, but academic approaches to his work are rare and they focus. This dissertation is meant to fill that void. The method follows two roads. The first one uses the academic conceptual machinery, a deep archival research, and an exhaustive reading of secondary sources, in order to apply them on the reading of González s entire work. The second road assembles a bridge between academic methods and the readers of González s work beyond academy. These two roads revealed a pattern of fragmentary thought in González s oeuvre. It is around this feature that the recurrent themes of his work are interwoven: fragmentation itself, a critique of borders and limits manifested in his resistance to the genres and academic disciplines, the body, the road, the shadows, ambiguity, uncertainty, and the aesthetic experience. This sui generis collection of subjects demanded the incorporation of theory from many different fields such as philosophy, literary theory, physics, logic, biology, history, psychology, politics, anthropology, among others. All these fields were already within the fabric of González s writing. González, just like don quixote, took to the road to show the world that he was not willing to accept a truth that is not made for handbook him.
2015 Martha maría montejo pizarro. Flotar en la viscosidad literatura cubana de los. Flotar en la viscosidad. Literatura cubana de los 90 is a dissertation that focuses on Cuban literature in the 1990s as one of the stages of major changes and literary projections after 1959 in Cuba, as part of Latin American literary developments following the collapse of the berlin Wall. The late twentieth century in Cuba was a time of fractures and vulnerabilities in different representations of the social subject and his/her circumstances, historically manipulated by the government. As examples of this rupture with the socialist literary canon, i study three authors and their representative works from this period: the poet reina maría rodríguez, the narrator Pedro juan Gutiérrez and the poet, narrator and essayist Antonio josé ponte. As I demonstrate in my dissertation, their works are able to dialogue with particular and dissimilar voices using original prose fiction, poetry and essayistic elements, mostly absent on the island map during the three previous decades of socialism. Similarly, their books reflect a critical period, damaged paradigms and a new subject that coincides with a novel national imaginary, contrasting with the new man ( el hombre nuevo ) as symbol of the socialist regime. In this regard, i have paid close attention to two major events for the continent after the collapse of the berlin Wall: the so-called special period in peace shredder time and the triumph of neoliberal globalization in the rest of Latin America.
The current peace talks fuller between the government and the revolutionary Armed Forces of Colombia- people s Army (farc-ep) (2012-2016) have finally brought the promise of the conflict s conclusion. Nevertheless, the neo-paramilitary groups, which have integrated into the neoliberal system with military interventions in different parts of Latin America and the world, coupled with Colombia s necro-capitalism are clear signs that this armed conflict no longer falls merely under the sovereignty of the colombian. The biggest difficulty for concluding the armed conflict is the gray zone, a political space that produces two kinds of sovereignty: one political and the other thesis economic. At the same time, the gray zone produces both dialectizable and unconvertible violence. Art production from the past two decades has been dedicated to reflecting upon the gray zone by means of making a critique of the main concepts of political modernity, such as: confession, forgiveness, human rights, memory, militancy and insurrection. The critical review of these concepts shows that they are emptied, incomplete, full of neoliberal reformism, and thus unable to intervene in the gray zone. Making these problems of the colombian political reality explicit also serves to make evident a set of problems that are happening in different parts of the world at this moment. The dual transition in Colombia will be the type of post-conflict transition experienced by all other contemporary wars, such as the drug wars in Mexico and Central America or the wars in Syria, yemen, Iraq, and other parts of the middle east.
Castañeda, timothy matovina, and Robert Treviño. The works of these critics, in conjunction with the study of the borderland titles, allow for the possibility of re-tracing the mexican-American Catholic experience in the rio grande valley starting from the years that immediately followed the treaty of guadalupe-hidalgo in 1848. Ultimately, this dissertation allows for a better understanding of the religion shared by many generations of Mexican Americans and proves that boullosa and Hinojosa s works are crucial in understanding the processes responsible for the generational shifts and reactions that many historiographers have noted. Carlos Andrés Rodríguez gonzález. Arte y guerra en Colombia de : zona gris y posconflicto en la guerra global. This dissertation explores the ethical-political relationship of Colombian art production (literature, film, and installation art) from 1995 to 2015 that focused on the colombian War. During the period of time between the 1990s and the early 2000s, colombia s armed conflict experienced the most violent phase in its history due to the transition from a civil war confined to a closed territory to a global war. Colombia has experienced the longest armed conflict in the western Hemisphere, and for almost eighty years the country has attempted to end. As a result of this, colombia has experienced partial transitions toward democracy.
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Finally, these and other cinematic elements and their variations in the four feature films by this director are discussed. Together they validate the affirmation that Carlos reygadas is one of food the most representative creators of poetic cinema in the early twenty-first century throughout the Americas and worldwide. Héctor Enrique antonio weir Gil. The catholic puzzle: faith in the borderland Narratives of Carmen boullosa and Rolando hinojosa. The catholic experience in the texas-us borderlands represents a void within the humanities. The attitudes that surround the topic of religion in socio-historical and literary studies have limited the scope of works. Two of the most problematic biases are the pro- and anti-catholic discourses that have been intertwined with national political agendas in both countries.
They have created important obstacles that complicate the study and understanding of the identities that have arisen since the conquest. In the border, a significant percent of Mexican families maintain strong links to catholic practices and beliefs despite living under the pressures of Americanization and secularization that are deeply rooted in the anti-clerical discourse. On the other hand, pro-catholic approaches often lose sight of the realities found in the margins of society, as they can be over-reactionary to perceived attacks. Taking this counterpoint in consideration, this dissertation studies the multiple faces of Catholicism portrayed in the contemporary narratives of Texas: la gran Ladronería en el Lejano norte (2013) of Carmen boullosa; and. Generaciones y semblanzas (1977 Claros Varones de belken (1986) and Becky and her Friends (1990) by rolando hinojosa and which form part of his Klail City death Trip Series. This analysis is situated within pro- and anti-catholic discourses, as well as with the critical works on cultural change of anthropologists such as Fernando Ortiz, gonzalo Aguirre beltrán, Clifford geertz, elizabeth Fernea, and Dan Rose. Some of the historians considered with regards to the subject of Mexican-American culture and religious change are Albert Camarillo, robert Wright (O.M.I.
All of them are writers directly related to the central theme of this work, which has been one of the constants in the political and social scene of Latin America, especially since the 19th Century and continuing today. These cuban writers, perhaps some more well-known than others, are all of great importance for the history of literature written in Spanish. At the same time, my goal is to examine how these works are a reflection of an existence marked and conditioned by the rigors of exile and how much revealed in them the everlasting contrast between literature and history. El cine poético en Carlos reygadas. The cinematography of Mexican director Carlos reygadas is the main focus of this dissertation, which aims to validate the artistic quality of his four films.
Japón, batalla en el cielo, luz silenciosa and, post Tenebras Lux define the creator s creative style. They demonstrate key influences of his cinematographic approach, and recognize his identification with the typology of poetic cinema, as a reactive model to narrative and cultural cinematographic formulas. To complete this present work, the conceptualizations of six emblematic figures in cinema were chosen as the dissertation s theoretical foundation: luis buñuel, robert Bresson, pier paolo pasolini, éric Rohmer, Andrei tarkovsky and Abbas kiarostami. Based on their perceptions of film, resemblances are noted, whether consciously or unconsciously referenced by carlos reygadas. Characteristics of poetic cinema are analyzed, including how such creators interpreted the use of sounds, editing, scene duration, space, dialogue of characters or models, importance of the creator s ethical values, methods of choosing and developing themes, and technical resources for handling images, among others. The poetic implications of Carlos reygadas, a creator focused on stimulating an individual s sensory perception through the proper use of key cinematic tools using image and sound to create a sense of time are confirmed through a series of interviews done by the creator. In these interviews, reoccurring content in his speech is consistent: symbolism of titles, story ideas, use of non-actors, creative methods, filming process, sound and music, sex and faith, nature, references to film and literature, use of space and time, presence of death and the grotesque.
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We also provide reference consultations to essay help you identify material in our collection that is relevant to your field. You can get help from, mary wilke, crl. Member liaison outreach Services Director. Re-configuración del sujeto exiliado en la literatura cubana post-Mariel. 2016, through this work, narrar el exilio ( re-configuración del sujeto exiliado en la literatura cubana post-Mariel), i analyze essentially the very complex phenomenon of the transfer of the experience of exile to the contemporary novelistic universe, through the narrative works of five cuban writers. They are reinaldo Arenas (1943-1990 guillermo rosales (1946-1993 carlos Victoria (1950-2007 Antonio josé ponte (1964) and Pedro juan Gutiérrez (1950). One of the central purposes of this dissertation is to investigate the vision these authors have of both political exile and other types of displacement as transformation of the cultural centrality of the nation that has been left behind for plan reasons ranging from the economic. We cannot ignore that they suffered in their flesh the rigors of political exile from which their books outline somehow the route of such marginalization at the hands of the totalitarian State.
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